{"params":{"colorway":{"type":"choice","default":"oaxaca","label":"Colorway","describe":"curated paint schemes for the carving only; the marigolds, petals, candle and bare paste never move. oaxaca is the refs \u2014 hot magenta against cobalt over a gold underline with lime primaries. sandia swaps the cobalt field for jade and the primaries for deep red, a watermelon scheme. nocturno drops every field onto the kit night ramp so the piece reads as a shape against candlelight. copal abandons the clashing paint for smoked terracotta and ash, the way an unfinished piece is toned. Explicit colour knobs override the preset.","options":["oaxaca","sandia","nocturno","copal"]},"vigil":{"type":"choice","default":"ofrenda","label":"Vigil","describe":"the kit-wide stage knob, and it rebuilds. before: the carving is unfinished \u2014 bare grey paste banded with the newspaper layup, three loose strip ends still lifting off the flank, and a bare slab with no candle, no flowers and no petals at all. ofrenda: the night itself \u2014 fully painted, a lit veladora and three cempasuchil heads on the slab and nine petals scattered over it. dawn: the morning after \u2014 the candle burned to a stub in pooled wax with the flame out and the glass modelled hollow to the pool, a real chip bitten out of the near ear, a recessed scuff on the flank showing the paper core, and fourteen browned petals scattered wider.","affects":"geometry","options":["before","ofrenda","dawn"]},"creature":{"type":"choice","default":"jaguar","label":"Creature","describe":"which spirit the carver made, on the same slab at the same height in the same paint. jaguar is the refs: a standing deer-bodied chimera with a spotted jaguar head, antlers, a long curled tail and the wings thrown up and out 0.71 m tip to tip. dragon is a serpent whose tail coils twice round the slab while its body rears to a horned head, with a lime dorsal frill down its spine and the same wings held narrower. owl is short and upright, a barrel body with a wide facial disc, huge staring eyes, ear tufts, a hanging tail fan and the wings folded down its flanks.","affects":"geometry","options":["jaguar","dragon","owl"]},"lit":{"type":"toggle","default":true,"label":"Lit","describe":"the wick of the veladora on the slab. true builds a real flame volume standing on the wax, which is what the `flame` night zone burns; false removes it and leaves the bare black wick standing proud, so one model serves the vigil and an ordinary day. Inert at vigil=before (there is no candle) and at vigil=dawn (the candle has burned out).","affects":"geometry"},"plumes":{"type":"range","default":7,"label":"Plumes","describe":"long feather blades cut into EACH wing fan, with the short covert row over their roots rebuilt to match. 5 is a coarse folk cut with wide blades and deep notches between them, 7 the shipped read, 9 a fine one. The fan sweeps the same arc and the outermost tip lands on the same 0.71 m span at every value, so the silhouette envelope and the bounding box never move \u2014 only blade width, notch pitch and triangle count do. Also cuts the dragon's dorsal frill and the owl's tail fan.","affects":"geometry","min":5,"max":9,"step":1},"antlerPoints":{"type":"range","default":2,"label":"Antler points","describe":"tines carried on EACH beam of the crown, respaced along the beam at every value. 1 is a young spike, 2 the shipped head, 3 a heavy old one. The beams keep their 0.224 m spread and their tips stay the highest point of the model at every value. On dragon it cuts the horn tines and on owl the blades in each ear tuft, so the crown reads the same way whichever creature is built.","affects":"geometry","min":1,"max":3,"step":1},"tone":{"type":"range","default":0.45,"label":"Flower tone","describe":"How far each cempasuchil head and each loose petal drifts from the base orange, as a hundred hand-picked flowers do. KIT CONTRACT \u00a77 requires this on marigold heads and forbids it on painted work, so it touches the flowers and the petals ONLY \u2014 the carving, the paste, the glass and the slab keep exactly the colour they were painted. 0 is a machine-matched batch, 0.45 a normal one, 1 a deliberately mixed armful. Changes no geometry at any value.","min":0,"max":1,"step":0.05},"base":{"type":"color","default":"#2a2a30","label":"Base","describe":"albedo of the whole display slab, chamfer included. The darkest value on the model: it is what grounds the piece and what the petals and the candle read against."},"magenta":{"type":"color","default":"#d94f8c","label":"Paint field 1","describe":"the DOMINANT paint field \u2014 backline, flanks, neck sides, the second feather band and the tail bands. Roughly a third of the painted creature; keep it the loudest hue or the piece stops reading as folk paint."},"cobalt":{"type":"color","default":"#2f5fa8","label":"Paint field 2","describe":"the supporting field, deliberately clashing with field 1 \u2014 the haunch, the thighs, the third feather band. Needs a real value step from field 1 or the two fuse into one at thumbnail size."},"gold":{"type":"color","default":"#ffc23d","label":"Paint field 3","describe":"the warm underline \u2014 brisket, belly, throat, legs, muzzle band, the feather coverts and the innermost feather band. The lightest of the three fields, so the animal reads lit from below the way a carving does."},"lime":{"type":"color","default":"#6f9a52","label":"Primary accent","describe":"the long outermost feather blades, the ear fronts, the tail tip and the dragon's dorsal frill. A small area, but it is the tip of the widest mass, so it is what separates the wing from the sky."},"plum":{"type":"color","default":"#7b3fa0","label":"Band accent","describe":"the narrow banding: the rump round-off, the ring at each carpus and hock, and the divider between the two big flank fields. Small, dark, and the only thing stopping the fields running together."},"bone":{"type":"color","default":"#f8f5ed","label":"Pale head and eyes","describe":"the pale spotted skull, brow and cheeks and the staring eye beads. The lightest zone on the creature; it is what makes the head read as a jaguar mask under the crown."},"ink":{"type":"color","default":"#0f1428","label":"Ink","describe":"pupils, nose pad, the jaguar rosette facets on the brow and cheeks, and the four hooves. The darkest zone on the creature \u2014 it carries the stare and the ground contact."},"gilt":{"type":"color","default":"#c98b3a","label":"Gilt","describe":"the antler beams and tines, the two fangs at the muzzle and the claw on each hoof. Folk-art gold PAINT, not leaf: the same matte material as everything else, never metallic."},"paste":{"type":"color","default":"#9b9383","label":"Paste","describe":"the bare papier-mache paste under the paint. The whole carving at vigil=before, and at vigil=dawn just the recessed scuff on the flank and the broken end of the chipped ear where the paint is knocked off."},"news":{"type":"color","default":"#f5f1e5","label":"Newsprint","describe":"the newspaper strips showing through the paste at vigil=before \u2014 alternating bands along the body and the three loose strip ends lifting off the flank. Emits nothing at any other stage."},"marigold":{"type":"color","default":"#f59a1e","label":"Cempasuchil","describe":"the three faceted marigold heads set beside the candle on the slab. The kit accent, and on this part it appears only where flowers are."},"petal":{"type":"color","default":"#e3760f","label":"Petal","describe":"the kit-wide `petal` zone: the loose petals lying on the slab. Zero triangles at vigil=before, nine at ofrenda, fourteen at dawn and browned there. One name kit-wide, so repainting the marigolds repaints every part in the kit at once."},"glass":{"type":"color","default":"#f7e7c3","label":"Votive glass","describe":"the veladora's glass body and the wax standing in it. Its own zone because `night` turns it amber from inside; by day it is a pale, nearly white glass and must not share a hex with anything that stays dark."},"flame":{"type":"color","default":"#ffd9a0","label":"Flame","describe":"the wick flame, a real modelled volume on the wax. The kit's only emitter and its own zone, so a consumer can burn it without burning the glass or the slab with it."}},"presets":{"oaxaca":{"base":"#2a2a30","magenta":"#d94f8c","cobalt":"#2f5fa8","gold":"#ffc23d","lime":"#6f9a52","plum":"#7b3fa0","bone":"#f8f5ed","ink":"#0f1428","gilt":"#c98b3a"},"sandia":{"base":"#2a2a30","magenta":"#e0348a","cobalt":"#2f7a4a","gold":"#ffc23d","lime":"#8f2233","plum":"#b03a6e","bone":"#f8f5ed","ink":"#1e2a4d","gilt":"#c98b3a"},"nocturno":{"base":"#0f1428","magenta":"#b03a6e","cobalt":"#1f3f74","gold":"#c98b3a","lime":"#1e5334","plum":"#7b3fa0","bone":"#eee9e0","ink":"#0f1428","gilt":"#a86a26"},"copal":{"base":"#2a2a30","magenta":"#b5613c","cobalt":"#7d7568","gold":"#cf9f6a","lime":"#6f9a52","plum":"#8c4529","bone":"#f7e7c3","ink":"#56504a","gilt":"#c98b3a"}},"night":{"flame":{"color":"#ffd9a0","intensity":1,"describe":"the veladora wick burning \u2014 the kit's one emitter temperature","albedo":"#ffd9a0","findable":true},"glass":{"color":"#ffc23d","intensity":0.6,"describe":"the votive glass lit from inside by the flame standing in it","albedo":"#f7e7c3","findable":true}},"decals":[{"name":"plaque","size":[0.2,0.042],"at":[0,0.029,0.25],"normal":[0,0,1],"up":[0,1,0],"describe":"the display slab's front face, under the creature \u2014 the carver's or the family's name plate","albedo":"#2a2a30","mode":"plate","relief_mm":0,"verified":true}],"rev":1792408797,"materials":{"base":{"kind":"paint","finish":"matte"},"magenta":{"kind":"paint","finish":"matte"},"cobalt":{"kind":"paint","finish":"matte"},"gold":{"kind":"paint","finish":"matte"},"lime":{"kind":"paint","finish":"matte"},"plum":{"kind":"paint","finish":"matte"},"bone":{"kind":"paint","finish":"matte"},"ink":{"kind":"paint","finish":"matte"},"gilt":{"kind":"paint","finish":"matte"},"paste":{"kind":"paper","finish":"plain"},"news":{"kind":"paper","finish":"plain"},"marigold":{"kind":"foliage","finish":"petal"},"petal":{"kind":"foliage","finish":"petal"},"glass":{"kind":"glass","finish":"clear"},"flame":{"kind":"emissive","finish":"flame"}},"materials_note":"what each colour zone is made of: `kind` and `finish` name a procedural PBR material in https://polyfork.dev/materials.mjs (dressByAlbedo finds a zone by its albedo in COLOR_0). A zone not listed has not been classified.","night_note":"match `albedo` in COLOR_0 exactly, make those vertices emissive at `color` and `intensity`, and drop your scene lights. findable false means that colour is no longer in this asset's geometry: skip the zone rather than guessing.","decals_note":"flat areas on the surface where you can print your own logo, sign or number. `at` is the centre in model space, `normal` points out of the surface, `size` is [width, height] in metres. Bake art with https://polyfork.dev/cdn/sdf.mjs and place it with https://polyfork.dev/cdn/decal.mjs, or use `at`/`normal`/`size` directly in any engine. `albedo` is the colour it prints on. mode `plate` means the face is flat and a quad is enough; `projected` means it is curved (`relief_mm` deep) and the mark has to be projected onto the geometry. Measured on the DEFAULT build: a geometry knob can move the surface a few centimetres; decal.mjs follows it, anywhere else re-measure or keep the defaults.","preview_v":1792435635,"mod_v":1792408797}